Showing posts with label us. Show all posts
Showing posts with label us. Show all posts

Why The US Has Slow And Costly Internet

Saturday, August 27, 2016


Why is the Internet slow and costly in the U.S.?

By Patrick Marshall

In Tokyo, Seoul, and Hong Kong, residents get bidirectional, gigabit Internet for less than U.S. $40 a month. On the other side of the globe, Parisians have a similar deal, though their upload speed is only 200 megabits per second (and much of the rest of France isnt so lucky).

Most of us in the U.S. would be happy with half that bandwidth — even as we accept paying twice as much as Internet subscribers in Asia and Europe. In Seattle, I pay Comcast nearly $67 per month for a 50Mbps (6.2 megabytes per second — MBps) connection.

So why is broadband such a bad deal in the U.S.? What gives?

The answer lies at the uneasy intersection of technology and politics, and the story begins in 1984, when Congress passed the Cable Communications Policy Act (more info). At the time, of course, personal computers had only recently been introduced and the public Internet didnt yet exist. (The precursor to the Internet — ARPANET [more info] — was carrying messages between university and government researchers and had been doing so since 1969.)

In those days of dial-up connections, legislators probably had no inkling that most consumer broadband Internet service would eventually travel over cable-television lines. Their primary concern was bringing some order to the burgeoning cable-TV markets, ensuring both competitive pricing (via deregulation) and standards in programming. Government had some say in the matter because the private-sector companies cables had to traverse public property. But there was a long debate over which government agencies would implement the act: federal, state, or local?

Congress cedes cable access to local control
The Cable Communications Policy Act of 1984 gave municipalities primary authority to grant and renew franchise licenses for local cable operations.

Generally, communities have given cable companies access to public property in exchange for agreements about such things as programming and access to residences and businesses in specified areas.

It also meant that cable service would vary widely from one community to another.

In some cases, cable companies were granted exclusive rights to a particular region. But even without exclusivity, the first company to reach an agreement with a community generally became the sole provider because of the high cost of laying new cables. Competitors faced the daunting task of quickly making their own agreement with a local government and then carving out enough subscribers to pay for the huge investment.

And then the cable companies got lucky. Use of the Internet exploded, and low-bandwidth messaging became high-bandwidth streaming entertainment. With customers demanding faster Internet connections, cable immediately had a clear advantage over dial-up, DSL, and other types of Internet connections — it offered both speed and broad coverage.

That gave cable companies a huge customer base they didnt have to acquire. Moreover, the cable companies werent providing content; they earned their money from the connection to the Internet, not from selling streaming entertainment to customers. That meant that the cable companies had little incentive to improve service.

Municipalities try to cash in on broadband
Frustrated by the lack of competition and the quality of service provided by cable companies, some communities opted to use their own infrastructure to provide Internet service.

In 1999, after a storm wiped out much of its communications infrastructure, the small town of Bristol, Virginia, built its own fiber-optic network for internal city government communications. In 2003, the town expanded that network to provide Internet service to the entire community. The nonprofit Optinet company formed by the city now offers broadband services to other communities in southern Virginia.

In the years since Bristol launched Optinet, more than 130 communities — mostly smaller towns not well served by cable companies — have followed suit, providing services over city-owned fiber or cable
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Warner Crocker tells us HOW

Thursday, January 15, 2015

Hop over to GottaBeMobile.com and read the thoughts of Theatre Director, and Tablet enthusiast, Warner Crocker. Not only has WC presented a solid case for a truly mobile environment but he’s also answered a question…how do we use all this stuff?

Snippings I like:

[Im all praise for OneNote 2007 Beta -multiple notebooks is something I cant get enough of.]

The new OneNote 2007 multiple notebook feature is a great addition to the organizational structure that also really makes my life easier. Everything now gets captured into one or two notebooks, Unfiled Notes or OneNote Mobile Notes. (more on that later) and then gets filed into the appropriate section. I don’t create a new Notebook for every show, but I do create a new section for each show under a Production Staff Notes Notebook. That section will then be moved to Past Shows once I am done working on it, which usually happens after the reveiws are in, which get printed or scanned into OneNote.

[Ashamedly I do not use TEO but WC has done a great job of getting me convinced.]

Tablet Enhancements for Outlook (TEO 3.0) This Tablet PC must have application always serves me well when scheduling events around the process. Media interviews, meetings, etc… Being able to quickly call it up and scribble in an appointment is a breeze. I experimented with the excellent note-taking features in TEO 3.0 for this show, and with a few exceptions I think I could do most of what I do in OneNote 2007 with TEO 3.0.

[Now this is WC being cool, innovative, bleeding edge and soldout to the future that is Microsoft.]

The Sprint PPC 6700 and OneNote Mobile (Beta). I have to admit I’m smitten with OneNote Mobile, even if it is in Beta. This is the biggest new tool in the toolbox, and even after one show I can’t imagine not using the functionality.

[Now WC is even trashing his Apple gear for a an all-in Microsoft assault.]

I used to use an iPod for playback on this in rehearsal, before my iPod bit the dust. For this show, I put Steve’s digital files on the PPC 6700 and would play them back over a headset for my listening, when we reached those sections. This allowed me to check timing and appropriateness with the moment. I could have done this with my Tablet PC certainly, but being able to have the smaller device was a big key and also a bit of an experiment. I have to admit, since my iPod died this spring I have missed it less and less.

[and this is my favorite - WC as nasty notetaker]

A side benefit to taking notes on a Tablet PC or UMPC is that you don’t need a light source to see what you are writing. Over the years, I’ve had small battery operated lights that attached to clip boards, my fingers, lights in a pen, you name it. But the Tablet PC, even at low screen brightness levels, is more than a sufficient light source to see what you are writing. Of course, in a darkened theatre, when the actors see that screen light up from a resume, it always freaks them out because they think you are taking a note about something they did wrong.
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